Toon Tuesday: Is "Disney's A Christmas Carol" a little too scary for its own good?

Hey, toon lovers :) Have found the article by Jim Hill.

Disney's A Christmas Carol Train Tour is now in the home stretch. After today's stop in the Amtrak Station in Jacksonville, FL., this rolling promotion for Walt Disney Pictures' next Digital 3D release has only three cities left on its 40-city intinerary: Charleston, SC (October 23 - 25), Philadelphia, PA (October 27) and New York City (October 30 - November 1).

So, of course, you'd think that -- now that ads for "Disney's A Christmas Carol" have begun airing on television -- that those who tour this traveling exhibit for Robert Zemeckis' latest film would have a better sense of what to expect. But that really isn't the case.

You see, all of the commercials that are currently playing on TV here in the US play up "A Christmas Carol" 's more comic moments. So when people see Jim Carrey's version of Ebenezer Scrooge being hit in the face by giant icicles and/or being flung into a bag of dung ... Well, that's what these folks expect when they enter that inflatable 3D Theatre that Disney has been hauling from city-to-city on the Christmas Carol Train Tour. A comical holiday romp.

The only problem is ... That's not the "Christmas Carol" that Zemeckis set out to make.

In his introduction for Diana Landau's "The Art of Disney's A Christmas Carol" (Disney Editions, October 2009), Robert talks about how " ... I can't resist a great ghost story ... Finally we have the technology to bring (the ghosts that are showcased in this holiday story) to the screen as Dickens described ... With our CG tools (at ImagerMovers Digital) we can make the ghost as strange or enormous or terrifying as we want ..."

And though Zemeckis receives lots of recognition for his more life-affirming / family-friendly fare like "Forrest Gump," "Back to the Future" and "The Polar Express" ... As 1992's "Death Becomes Her" and 2000's "What Lies Beneath" (not to mention Robert's work as the executive producer of HBO's "Tales from the Crypt") proved, this Academy Award-winner just loves a good scare.

And the grislier the better. As is evidenced by that scene from "Disney's A Christmas Carol" that's been screened inside of the Digital 3D Theatre all across this country. When that bandage around Jacob Marley's head comes loose. And this ghoul's jaw & tongue suddenly -- thanks to the far-too-detailed cinematic magic of Disney Digital 3D -- dangles right in the audience's face.

"So why are the TV commercials & movie trailers that have been prepped for the U.S. market trying to sell 'Disney's A Christmas Carol' as a comedy?," you ask. Because the Mouse's marketing staff believes that the best way to sell a new film is with humor. That laughter -- more than anything -- is what prompts American to buy movie tickets.

Whereas for the Japanese ... Well, they're far more likely to buy a ticket to a new movie if the TV commercials and/or film trailers for that release do a proper job of showcasing the characters that you'll meet, the emotions that you'll experience while watching this movie. Which is why the Japanese trailer for "Disney's A Christmas Carol" is decidedly different than the one that Mickey's marketeers prepared for American audiences. These ads actually give you a sense of how scary certain sections of this movie might be.
Anyway ... Getting back to the Christmas Carol Train Tour ... Those who have been checking out this film's Digital 3D preview in that inflatable theatre have been coming out talking about that Jacob Marley footage. And not necessarily in a good way.

Said one tour insider:

"Yeah, we've been getting a lot of complaints about that sequence. Especially from parents who have taken small children into the theater. They say that there should have been some sort of advance warning about how intense that footage was going to be."

Well, now that "Disney's A Christmas Carol" has officially been rated PG (Because the MPAA recently decided that some of the material in this Robert Zemeckis movie "may not be suitable for children" due to "scary sequences and images"), that's really not an issue anymore. Disney can now put signage outside of the train tour's inflatable theatre that actually informs parents about this movie's rating.

But what do you folks think? Is "Disney's A Christmas Carol" going to be hurt at the box office because this new ImageMovers Digital production is reportedly more scary than merry?


As for me - I think that Disney's toons should be for children for the first and foremost. As I saw at the screenshot the character is repulsive and I don't think that my niece would like that movie and not be scared. But I still believe in Disney's work and I will watch this movie.

Ordnance Survey 3D map of Bournemouth 'is most detailed ever'

Hey all. I've found an interesting article by Matthew Moore. It is said that every day something new appears... Oh, I DO believe it :)

The national agency used state-of-the-art laser technology and aerial imagery to create what it claims is one of the most accurate maps ever produced.

Bournemouth's attractions – including the pier, seafront and conference centre – are portrayed in lifelike detail in a video posted on YouTube showcasing the new technique.

Ordnance Survey says that the results are substantially more accurate than the 3D maps available through online applications such as Google Earth and Microsoft Virtual Earth, and will revolutionise the way it charts the British Isles.

In a three year project, more than 700 million laser beams were sent out from Ordnance Survey vans and aircraft patrolling the town. These bounced back off Bournemouth's hills, buildings and streets, providing precise geographical data about the terrain.

This information was then combined with the Ordnance Survey's 2D maps of the town and overlaid with photos taken from the air to produce the realistic effect.

“Three-dimensional maps in themselves aren't new, but what we've achieved in Bournemouth is a level of accuracy and detail that's never been done before," said Glen Hart, head of research at Ordnance Survey.

“Given the level of detail that we've achieved, I think Bournemouth can confidently lay claim to being the best mapped place on the planet.”

The 3D mapping service will not be rolled to the rest of Britain for at least five years, while Ordnance Survey perfects the new method. The black dots in the video represent points where no laser data was obtained.

But a spokesman said that the technique would radically change the public's experience of personal navigation, with people able to see routes and locations in 3D before setting off on journeys.

The maps could also help the emergency services by allowing them to accurately visualise the scenes of serious incidents.

Ordnance Survey has been the country's official mapping agency since being formed in the 1791 amid fears of a French invasion.

3D Virtual World

Hey, Guys!

For those who use Facebook there are interesting news! I've found this article and I think that it could be interesting for the most of us. Do you like "the Sims" game? Then it is for you!

Cloudmach actually made its debut at last month's TechCrunch50, although as a booth in the conference's demo pit, and not an on-stage pitch. The service is a 3D virtual world that runs inside of Facebook without any kind of software plug-in.

Users can adorn not only their avatar but their virtual rooms as well. Like Google Maps, users can zoom in and out and simply drag around the map along with switching to full 3D mode.

The company is planning to make money by selling virtual goods within its world, like more things to wear or decorate the virtual space.